Novel record
She and Allan
Haggard’s two most popular characters, Ayesha and Allan Quatermain, share an adventure in She and Allan. Accompanied by the Zulu warrior Umslopogaas and guided by the witch-doctor Zikali, in this lost world novel Allan and Ayesha join forces to journey to the land of the dead. Told from hunter Quatermain's perspective, the plot of this novel precedes events in Wisdom's Daughter (1923), She (1887), Ayesha (1905), and Allan Quatermain (1887), but they are set after those depicted in Quatermain's adventure novels Marie (1912), Child of Storm (1913), Finished (1917) and King Solomon's Mines (1885).
She and Allan was serialized in multiple British and American periodicals. Between July 1919 and March 1920 Hutchinson's Story Magazine serialized Haggard's novel under the title She Meets Allan, in an issue illustrated with 17 prints by Maurice Greiffenhagen. A serial also ran in the Sunday numbers of The Sandusky Register from 14 December 1919 until 28 March 1920. Edmund Frederick provided two illustrations per-number for this serial, and Vincent Aderente illustrated the frontispiece. On 14 March 1921 the publisher Hutchinson and Co., London, issued the first UK edition, which included 8 illustrations by Greiffenhagen. Longmans, Green, and Co., New York, published the first US edition in 1921, which featured a color frontispiece by Enos B. Comstock. Macdonald & Co., London, published an edition of She and Allan illustrated by Hookway Cowles in 1960.
Further Reading
Whatmore, D.E.. H Rider Haggard: A Bibliography. Westport, CT: Meckler Publishing Co., 1987. F50, 66-67. Print.
Edition archive
Editions of She and Allan
Edition
Hutchinson's Story Magazine, vol. 1, no. 1
London: Hutchinson & Co., July 1919.
Edition
The Sandusky Register, vol. 97, no. 298
Sandusky: Sandusky Register, 14 December 1919.
Edition
The Sandusky Register, vol. 97, no. 304
Sandusky: Sandusky Register, 21 December 1919.
Edition
The Sandusky Register, vol. 97, no. 309
Sandusky: Sandusky Register, 28 December 1919.
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The Sandusky Register, vol. 98, no. 4
Sandusky: Sandusky Register, 4 January 1920.
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The Sandusky Register, vol. 98, no. 10
Sandusky: Sandusky Register, 11 January 1920.
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The Sandusky Register, vol. 98, no. 16
Sandusky: Sandusky Register, 18 January 1920.
Edition
The Sandusky Register, vol. 97, no. 22
Sandusky: Sandusky Register, 25 January 1920.
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The Sandusky Register, vol. 98, no. 27
Sandusky: Sandusky Register, 1 February 1920.
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The Sandusky Register, vol. 98, no. 33
Sandusky: Sandusky Register, 8 February 1920.
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The Sandusky Register, vol. 98, no. 39
Sandusky: Sandusky Register, 15 February 1920.
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The Sandusky Register, vol. 98, no. 45
Sandusky: Sandusky Register, 22 February 1920.
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The Sandusky Register, vol. 98, no. 51
Sandusky: Sandusky Register, 29 February 1920.
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The Sandusky Register, vol. 98, no. 57
Sandusky: Sandusky Register, 7 March 1920.
Edition
The Sandusky Register, vol. 98, no. 63
Sandusky: Sandusky Register, 14 March 1920.
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The Sandusky Register, vol. 98, no. 69
Sandusky: Sandusky Register, 21 March 1920.
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The Sandusky Register, vol. 98, no. 75
Sandusky: Sandusky Register, 28 March 1920.
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New Edition
New York: Longmans, Green and Co., 1921.
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1st UK Edition
London: Hutchinson and Co., 1921.
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Reprint
Toronto: McClelland & Stewart, c. 1921.
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Ella Y Allan
Barcelona: Bruguera, 1946.
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Macdonald Illustrated Edition
London: Macdonald & Co, 1960.
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1st Edition Thus
New York: Arrow Books, 1961.
Edition
The Newcastle Forgotten Fantasy Library Volume VI
Hollywood: Newcastle, 1977.
Edition
1st Edition Thus
New York: Del Rey, 1978.
Illustrator archive
Illustrators of She and Allan
Illustration archive
Illustrations from She and Allan
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I want to open a road, Zikali, that which runs the across the River of Death
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She and Allan
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The lady Sad-Eyes came out on to the stoep, and with her came the two Zulus of the Axe who had been left sick, but were now quite recovered
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Then there was a most awful noise of roaring, and wheeling round I saw such a fray as never I shall see again
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She and Allan
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Moreover, by a clever use of some hypnotic or mesmeric power, this strange woman had feigned to transport me to some places beyond the earth and in the Hall of Hades to show me what is veiled from the eyes of man
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As I was in the act of removing the hideous little ivory image of Zikali, there came a sound of hissing and suddenly above the reeds and bushes appeared a giant black mamba
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'Will you lift the curse of Nada off me, or will you not?' she demanded with a flash of her great eyes
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Then he stood up, and lifting his great axe, he saluted the Image with the word 'Makosi!'
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'I feel that you will not betray me,' said Inez, 'and what is more, that you will help me if you can'
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Then there was a most awful noise of roaring, and wheeling 'round I saw such a fray as never I shall see again
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He brought me some beautiful flowers and made a long speech which I could not understand
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Sad-Eyes shot one with a pistol and wounded another so that the spear fell out of his hand
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Next he staggered about, waving his hands, cursing and shouting
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Then he looked at Inez and said he would like to buy her to be a wife for his chief
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At length all was ready and there came that long trying wait, the wait, the most disagreeable part of a fight
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Recovering my axe I crept forward and opened the curtain-like rugs or blankets that covered Inez. 'Make no noise,' I whispered. 'It is I, Allan Quatermain, come to rescue you'
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Inez in her litter, with its escort of savages, was plainly visible on the opposing slopes of the mountain
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'I greet you, friends, in the name of Her I serve,' said this venerable man
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There she sat, straight and still, clothed in shining white and breathing mystery, beauty and power
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'She-Who-Commands looked in her glass,' he replied, 'and said that four would be needed'
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In the darkness of that holy place once more before me is her glory stood the Goddess Isis
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In the darkness of that holy place once more before me is her glory stood the Goddess Isis. In her great eyes were scorn and anger. 'O Ayesha' she cried sternly 'thou hast broken thine oath'
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Aye, I found them and in my presence the goddess executed her decree upon the false priest and drove his temptress back to the world
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He, too, had drunk of the Cup of the Fire of Life
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'Dog, would you singe my beard?' I cried in affected rage, and seizing the brand from his hand I smote him with it over the head
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'I wriggled up behind the man stuck my knife into his back where I thought it would kill him at once'
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Suddenly the man bent his frame almost double and leaped into the air, his great axe up-raised to strike
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There at my side was the veiled Ayesha herself, holding in her hand a little rod made of black wood inlaid with ivory not unlike a Field Marshal's baton, or a sceptre
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She moved a little so that one of the lamps which was now behind her caused her shadow to fall on the squatting Hans, and over it onto the floor beyond
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She lifted her hands and placing one of them upon the heart of Inez, for a minute or more she swayed the other from side to side above her eyes
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'Drink this and be a man once,' said Ayesha, offering me a strange-shaped cup
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In the heart of that flame I saw Ayesha with arms outstretched over the line of men who fell backward in front of her
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She placed her hand upon his heart saying: 'Stay! What meanest thou? Dost love me, Allan?'
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Then she took off a snake that looked as though it were made of gold with green eyes, and held it to your lips
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There on the point of the pillar like St. Simeon Stylites on his famous column, glowing in the sunset rays as though she were on fire, stood Ayesha herself
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In a secret hiding-place under the sitting room floor we fund a large sum in gold stored away
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She and Allan
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I kissed her ivory hand
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A tall, grim black man was fighting the great lion.
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The messengers returned.
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The people of Rezu shouted, 'Fly, Lulala is upon us with the witchcrafts of the moon'
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'I want to open a road, Zikali, that which runs across the River of Death'
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Oh, what a leap was that!
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There she sat, straight and still, and clothed in shining white and veiled
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There, on the point of the pillar, stood Ayesha herself!
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She & Allan
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Ella Y Allan
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She and Allan
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She and Allan
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She & Allan
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