Illustrator record
Byam Shaw
Illustrator and painter John Byam Liston Shaw (1872 –1919) was born in Madras, India, on 13 November 1872. The Shaws emigrated to Kennsington, London, in 1878. When he was fifteen-years-old Shaw’s art was shown to Pre-Raphaelite Sir John Everett Millais. Millais encouraged the promising artist, resulting in Shaw's enrollment at St John's Wood Art Schools and later the Royal Academy Schools where he won the Armitage Prize in 1892. Shaw remained heavily influenced by the Pre-Raphaelites. He exhibited his painting Rose Mary, which was based upon a Dante Gabriel Rossetti poem, at the Royal Academy in 1893. In addition to the Royal Academy, Shaw exhibited at the Royal Institute of Oil Painters, the Pastel Society, the New Gallery, and the Royal Watercolour Society. Shaw focused almost entirely on illustration after 1898. His 500 drawings for the Chiswick Shakespeare are perhaps the most enduring contribution to his illustration oeuvre. He also contributed to the periodicals The Dome, Cassell’s Family Magazine, The Graphic, The Connoisseur, and Punch. Shaw taught at the Women’s Department of King’s College in Kensington Square but resigned in 1910 to open his own art school with his future biographer and landscape painter Rex Vicat Cole (1870-1940). The Byam Shaw School of Art exists today but in 2003 merged into Central Saint Martins College of Arts and Design. Haggard’s The Pearl Maiden (1914) is the last book Shaw illustrated, possibly because he turned his attention to war cartoons and service that year. He served in the United Arts Rifles and the Special Constabulary during WWI. He married Evelyn Pyke-Nott in June 1899, and they had 5 children. Shaw died in London on 26 January 1919.
Further Reading
Cole, Rex Vicat. The Art & Life of Byam Shaw. London: Seeley, Service, 1932. Print.
Houfe, Simon. “Shaw, John Byam Liston ARWS 1873[sic] – 1919.” The Dictionary of British Book Illustrators and Caricaturists 1800-1914. Woodbridge, Suffolk: Antique Collectors’ Club, 1981. 450-451. Print.
Taylor, Gerald. "Shaw, Byam." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Mar. 2017.
Waters, Grant M.. “Shaw, John Byam, R.I., A.R.W.S., (1872–1919).” Dictionary of British Artists Working 1900- 1950. Eastbourne: Eastbourne Fine Art, 1975. 297. Print.
61 Illustrations by Byam Shaw
Short story
Illustrations from "Magepa the Buck"
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Then he lifted himself upon one arm, and with the other saluted
"Magepa the Buck"
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Magepa the Buck
"Magepa the Buck"
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Magepa the Buck
"Magepa the Buck"
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Magepa the Buck
"Magepa the Buck"
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Magepa the Buck
"Magepa the Buck"
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Magepa the Buck
"Magepa the Buck"
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Magepa the Buck
"Magepa the Buck"
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Magepa the Buck
"Magepa the Buck"
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Magepa the Buck
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Illustrations from Pearl-Maiden: A Tale of the Fall of Jerusalem
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Straightening herself with difficulty upon her tottering feet, Anna raised her staff and pointed with it
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1701
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I propose that you get us safely out of Cæsarea, or, if you prefer it, that we shall all die here in this grain-store, for, by whatever god you worship, Phoenician, before a hand is laid upon my mistress or me, this knife goes through your heart
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1702
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and she held the sleeping little one towards him, at whom he gazed earnestly, yes, and bent down and kissed it
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1703
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The bushes on their path were pushed aside, and from between them emerged Caleb, of whom she had seen but little of late. He halted and looked at them
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1704
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For one second they stood facing each other, very types of the Eastern and Western world...
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1705
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At the sight of him she coloured, letting the cloth fall from her hand, which remained about the neck of the marble. 'I ask your pardon, Lady Miriam,' said Marcus, bowing gravely, for breaking in thus upon your privacy, but time presses with me
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1706
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On a certain afternoon in one of the palaces of Tyre a man might have been sitting in a long portico, which overlooked the Mediterranean, whose blue waters lapped the straight-scarped rock below
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1707
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'Because,' answered the President quietly, 'we did not think it fitting to deliver a child that was committed to our charge, to the care of one who had brought her father, and tried to bring her mother, his own seed, to the most horrible of deaths'
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1708
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‘What land had the honour to bear the genius who wrought this work?’
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1709
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In the narrow street they caught sight of a thin, white-bearded figure, naked to the waist as though to show the hideous scars and rod-weals with which its back and breast were scored, still festering, some of them
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1710
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So exhausted was Miriam that she fell fast asleep
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1711
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The Jew who held the lantern, alarmed by the sounds within, entered hastily and, catching his foot against the body of a dead man who lay there, stumbled so that he fell upon his knee
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1712
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'Here is something else,' said the officer, drawing the roll of Marcus’s cherished letter from her breast. 'Not that, not that,' the poor girl gasped
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1713
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There in the red light of the sunset, with her hands bound, a placard setting out her shame upon her breast, and chained like a wild beast to the column of marble, Miriam was left alone
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1714
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The soldiers came on along the top of the wall till they feared to approach nearer to the fire. 'Yield!' they cried, 'Yield, fool, before you perish! Titus gives you your life'
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1715
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Now while he spoke thus somewhat at random, for he was watching her all the while, Miriam kept her eyes fixed upon his face, as though she searched there for something which she could but half recall
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1716
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No everywhere above such portions of the beleagured city as remained standing, shot up tall spires and wreaths of flame. Titus had forced the walls, and thousands upon thousands of Jews were perishing beneath the swords of his soldiers or in the fires
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1717
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O Cæsar, Titus here declared that all he has is mine. Yet when I ask him for the gift of one captive girl he refuses me. Command, I pray you, that he should keep his word'
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1718
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The wretched Jewish general, Simon, had sunk fainting to the ground
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1719
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No. 6 was the dark and splendid Jewess who had kicked the greasy-curled Eastern in the face
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1720
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She led her into a lighted passage, and thence through a door into a great and splendid room spread with rich carpets and adorned with costly furniture and marble images
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1721
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'Prince,' he cried, 'hearken ere you strike. You can kill me if you will who are justly angered, and to die at your hands is an honour that I do not merit'
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1722
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Caleb heard footsteps behind him and looked round to see Marcus advancing up the hall with a proud and martial air
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1723
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Not a hundred paces away from the carpenter’s shop where the master craftsman, Septimus, worked, was another manufactory, in which vases, basins, lamps, and all such articles were designed, moulded and baked
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1724
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Before the woman even had time to shut the door, he thrust it wide and walked straight into the room
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1725
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There in the ship 'Luna,' Marcus and Miriam, whom the Romans called Pearl-Maiden, were wedded by the bishop Cyril
Pearl-Maiden: A Tale of the Fall of Jerusalem
The Graphic, vol. 66, no. 1726
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All day long Miriam sat fashioning them
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Anna raised her staff and pointed with it to the golden canopy
Pearl-Maiden: A Tale of the Fall of Jerusalem
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Draw your knife and we will see which is the better, man or woman
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For the first time they met with no other eyes to watch them
Pearl-Maiden: A Tale of the Fall of Jerusalem
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He turned and saw her
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No. 6 was the dark and splendid jewess
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So they understood how... all things had worked together for good to them
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Their eyes met and for one instant Marcus stopped
Pearl-Maiden: A Tale of the Fall of Jerusalem
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For one second they stood facing each other
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'Good morning to you, daughter,' he said
Pearl-Maiden: A Tale of the Fall of Jerusalem
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'I appeal from Caesar the small to Caesar the great'
Pearl-Maiden: A Tale of the Fall of Jerusalem
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'I say that she is worthy of death'
Pearl-Maiden: A Tale of the Fall of Jerusalem
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'Oh, Rachel, Rachel!' He moaned, 'Why will you haunt my sleep?'
Pearl-Maiden: A Tale of the Fall of Jerusalem
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'Romans always make their own road'
Pearl-Maiden: A Tale of the Fall of Jerusalem
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She looked up to the sky, half expecting to see the angel of the lord
Pearl-Maiden: A Tale of the Fall of Jerusalem
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She sprang forward, keeping in the shadow of the wall
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She stared, and there was the rock
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Solitudinem Faciunt Pacem Appellant
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Suddenly he plunged headlong into the flames
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They cast a shower of stones, one of which struck her
Pearl-Maiden: A Tale of the Fall of Jerusalem
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'Woe, woe to Jerusalem!'
Pearl-Maiden: A Tale of the Fall of Jerusalem
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Whereon he embraced first the marble and then me
Pearl-Maiden: A Tale of the Fall of Jerusalem
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'And if I refuse these things?' asked Benoni
Pearl-Maiden: A Tale of the Fall of Jerusalem
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'Ah!' he said— 'The rod is the Mother of Reason'
Pearl-Maiden: A Tale of the Fall of Jerusalem
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Caleb... walked straight into the room
Pearl-Maiden: A Tale of the Fall of Jerusalem
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He bent down and kissed the child
Pearl-Maiden: A Tale of the Fall of Jerusalem
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